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Against gratitude

When resentment curdles, call it gratitude.
Coercion’s marbled belly-fat.  Your thin-lipped
grin begs it, your eyeless smile, a paper cut.

Write it in the firm tread of a soft-toed shoe.
Envy’s past tense in the passive form.  Hope
upended.  I preserve your disappointments

under wax paper, and wheeze prickled breath
into a kilner jar.  The sweetness will fur.  One day
I will feed it to you, with the promise of wine.

We’ll lie between the thin sheets of a fever bed,
sweated from submission.  This gratitude.
I bow.  But I’ll not rest my head, not here -

at a block where, one day, I will make you kneel.

Highstreet 2012

Do not veil us because you find
what you have made us immodest.

Do not make me choose between
a fetish of decay and your diabetic,

cut-out and keep cockney.
We are not the squat canary,

beaked and blinking,
that you set to watch over us.

While we have no bread,
your five-ring circus will stink

of salted fish and the sickly green vapour
of your money and our weedy dreams.


Highstreet 2012 is the cosmetic improvement of the route through Whitechapel from the City of London to the Olympic park in Stratford.

Going Missing

Half-cold potato, carelessly half-mashed
listless eyes half-crushed, half-eaten, slicked
in an oily spill of Bisto. This ‘home’, half-home,

half-hospital: our half-lives shortening. The dull buzz
of fluorescent half-light. The days decay. Air strung
with quiet sweetness: disinfectant; deep brown piss;

fading now familiar; nostrils stung with sterilizer;
medicated shampoo; shit. Smells don’t stay sharp
as the gashed smiles, carved on the faces of staff

for all unpleasantries – enemas and mop-ups,
explaining empty chairs at breakfast, passing time
with visitors. Our grey-haired children come

and clutch at their concern and their relief. And never
look back as the locks click shut. This place
of absent doors that disappear and then arrive

in empty walls. Corridors evolve into dead ends
one hour, resolve themselves when passing next.
Locked doors. No keys. I’ve not held a key

these seven years. Who’d have thought you could miss
the click of a latch, the pleasing weight of a fist of keys,
the smell of old metal, the swing of a hinge? I dream

beyond indignities of cliché that glut my empty hours
with plastic plant-pots, toffee papers, tena pads,
small piles of coins that disappear into the foggy days.

I know she takes them. Some day I’ll gather up the lost
and passing things. Cologne and Brylcreem, tie pin,
neatly polished shoes. I’d not go hatless. Wind my watch

and turn the key. I’d hail a cab and give directions
in a bright clear voice. I’ll step from somewhere high
into the unlocked air and unrestrained, ungoverned by my age,

your inconvenience, your locks, I’ll take my last breath flying.

Acid Reflux

A thick dark doubloon of bile
fused to the underside of sternum,
rising like rage forged bleak
and untouchable: all passive-aggression
like autumn’s thousand certain deaths.

A fire that flickers on the surface
of water, tensile beyond peristalsis –
a witty sheen of oily colour, wrung
from a clenched fist of gut, its shadow
impressed on fleshy folds of fat.

The reheated rot of things just passed:
spun between one state and other;
the undetermined, once simply true;
snug gold on fingers; honest work;
belly-swelled; cold cash; promises;

and faith.  She lies in the space between
one day and next, feeling the dank
night catch at the back of her throat.
(We live in these parentheses: borrow eyes
from infants and pass them to the dark.)

1968 Remixed

it is forbidden to steal it back.  the boss
needs you to forbid.  run comrade,
you don’t need him.  walls have ears;

the old world is behind you.  forests
came before man, your ears have walls.
commute, work, the desert comes after.

under the pavement, commute, sleep.
to hell with the beach.  open up the windows
of your boundaries.  drive the cop out

of your heart.  the future will contain only
your head.  barricades shut down
what we put in now.  no replastering the street

but open up the way.  you can no longer sleep,
the structure is rotten. never work quietly once
you’ve suddenly opened your eyes.

they are selling your happiness – there is the enemy

like today when the sky is all day boozy
and ends as it began in the too-blue grin of night in a fifties western

as the rump of summer cheats from autumn
afternoons baked hard and slow

and on busy streets the tiny bones of feet
chatter as they creak and bounce along

and we smoke in the park only to pass kisses back and forth
hung like unspoken words on the tip of the roach

and we stumble through fizzing streets
where everyone is freshly fleshy and real about their sharp

bright faces before it is dark                   again
and everything familiar and singular again

and briefly it is not too much
briefly not much too much

and the space between us feels contingent
unimportant      thin and pressed between our faces and tomorrow

and history is neither now                    nor England
though it feels not so very far away

RSVP

So, yes, I will sit in your postcard pew, performing
the ablutions of custom: sing lustily and then
forever hold my peace.  I’ll beam – and mean it –

as a puce-faced man links arms with you and speaks
his part.  I’ll dab at a dignified eye and place
my slip-shod faith in your fresh happiness. These things

I can do for you.  I’ll even think of other things
(between the hymned injunctions that you don’t believe in)
to put aside the chink of your buck-teeth

before you straightened them, your fresh grown curves,
their neat silhouette against the curtains drawn across
our conspiracy of amber afternoons: picturing

the lovely chaos of piled clothes and jam-jar lids
of dog-ends, you, shameless, sitting at the far end
of my bed reading  aloud – your crease of belly

grinning in the sunlight. And then the twist of hips,
wide-eyes, clumsy tongues.   These things I’ll try.
I’ll raise a glass, I’ll even dance.  I’ll kiss your cheek,

wish you well then drive into the heavy evening
of your August wedding night where dusk is furred
with stories, motorway illuminations trail

back and all’s washed clean, forgotten.  You will
wear white and be unhistoried.  I’ll turn off course,
to look back briefly down the incline of the years,

to read the city that we whispered couldn’t live
without us, above which the stars will slip
into the constellations of your freckled back.

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